words kill, words give life

5 movies for martians

Posted in movies and television by Kaitlin on March 14, 2010

If aliens from Mars crash-landed in my backyard (assuming I had a backyard), I would make them watch these movies before taking them to my leader (assuming they didn’t kill me first).

“Thank You for Smoking” to show the weird way our government works.

aaron eckhart, aron, erin, eckheart, ekhart, ekheart, thank you for smoking, nick naylor, nailor, nailer, microphones, press conference, interview, lobbyist, movie, film, audrey hepburn, breakfast at tiffany's, film, movie, blake edwards, holly golightly, lula mae barnes, little black dress, lbd, givenchy, cat, crates, window, toast, heels,

“Breakfast at Tiffany’s” for appreciation of glamour, love and all else that Audrey Hepburn embodies.

“Singing in the Rain” to illustrate the wonderfulness that is random breaking into song.

gene kelly, gean, jean, kelley, singing in the rain, movie, film, comedy, classic, don lockwood, dancing, hat, umbrella, puddleveronica sawyer, winona ryder, heathers, funeral, movie, film, teen, murder, suicide, kim walker, heather chandler

“Heathers” because even Martians should be afraid of teenagers.

Update: I removed “Mars Attacks” from this list after a Martian told me it was an  inaccurate and offensive depiction of the species, “We look much more like that cute little boy from ‘Martian Child’ than we look like those big-brained fiends.” My deepest apologies to any offended aliens.

Thank You For Smoking by Christopher Buckley

Posted in books and stories by Kaitlin on July 8, 2009

I’ll admit it. I saw the movie first. We watched it in my promotional writing class last quarter. I absolutely loved the film, and I’m warning you now that may have colored my judgment.

I didn’t mind that the book had a slower pace than the film, I expected it. What I did not expect was its more sedate tone. I’m used to novel-inspired movies being toned-down mainstreamed versions of the book. With Thank You For Smoking, this was reversed.

The book felt a little dated. I realize Mr. Buckley penned this bestseller a decade and a half ago, and I didn’t expect it to be technologically current. But the slightly antiquated feeling was more than that. Buckley’s sentence structure felt starch with too much lengthy winding for today. Perhaps this is a sign of pre-millennial authorship, but should not a classic be able to withstand the test of time, especially so little time as this? The film felt like a classic.

Book Cover

Another issue I had with the book was  Buckley’s use of stereotypes. These of course, could be character faults of the protagonist, Nick Naylor, but they were assimilated throughout the third person narration. These include Naylor’s thoughts on the sexuality of black women, “It was true what they said about black women, every word – they were insatiable. No wonder black men fled their homes in droves. They needed sleep.”

When riding in a cab Naylor’s thoughts (or Buckley’s) often maligned immigrants: “‘National Airport. And hurry’ It was unnecessary to say that to any foreign-born D.C. cab driver, since they only drive at two speeds dangerously fast and really dangerously fast.” and “Even highly trained government drivers are no match for the ordinary Middle Easterner.”

One more issue I had with the book was the slight presence of Naylor’s son Joey. The movie, made ten years after the book was published, features a more-involved relationship between father and son. This probably is a “sign of the times” now that greater father-figure involvement is in vogue, but it also made the movie’s protagonist more lovable than the book version.

Christopher Buckley, author

I had high hopes for this book which were largely disappointed. I plan on reading another of Buckley’s books before I judge what idiosyncracies are his and which belong to his characters.

If you haven’t already, please vote in the poll in my previous post. I’d greatly appreciate it!